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Symphonies and Film Scores
18 May 2017
Kerwin Young

photo 2I’ve just completed the fourth movement of Symphony No. 5. I’m working on movement two now; then I’ll be left to make final edits, which I do along the way. So far, the work is 40 minutes long. When finished, it’ll be a little under an hour. I’ve got enough extra material for 4 more orchestral works. BUT, I’ve still got my work for zheng, orchestra, baritone and choir to complete. And, there’s also Symphony No. 6. Both works are rather short compared to Symphonies 1-4, and Reclamation.

Over the past year, I’ve finally accepted the fact that I ought to screw the idea of waiting on orchestras to program or perform my works! Media offers the greatest opportunity for musical innovation and opportunities. Although I’ve been scoring films and television since 1994, the opportunities as a media composer continue to outweigh those offered by any orchestra…anywhere.

My daily routine consists of the following not in any specific order:

  • Compose for a few hours (either at the piano or without; with a dedicated project moleskine and a Tombow mechanical pencil.)
  • Score studies & conducting (classical rep)
  • Film studies (film analysis and musical accompaniment)
  • Music production (cue mock-ups and recording projects)
  • Several tea breaks
  • Early morning exercise
  • Check out the work and blogs of my contemporaries
  • Net scouring for new gear and tech

I continue to push forth as a composer of feature films, television, and games. I want to team up with a bad-ass filmmaker who’s creating some awesome stories! Epic status!

K!



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